The Akropolis Reed Quintet takes listeners on extraordinary musical adventures, performing an innovative repertoire with acclaimed precision. Founded in 2009 at the University of Michigan and the first ever reed quintet to win the Fischoff Gold Medal in 2014, Akropolis took Grand Prize at the MTNA and Plowman chamber music competitions consecutively in 2011, and has garnered prizes at three additional national competitions. Championing the next generation of maverick musicians, Akropolis is also winner of the 2015 Fischoff Educator Award, delivering impactful outreach at schools ranging from kindergarten to conservatory. Akropolis has released two studio albums to critical acclaim and commissioned more than 25 reed quintet works to date. Their dynamic concerts feature accessible contemporary works framed by invigorating arrangements of classical music spanning four centuries.  

Akropolis has been a resident ensemble at major festivals around the country and abroad, including Summerwinds in Münster, Germany as well as the Detroit Chamber Winds and Strings and Juneau Jazz and Classics. Akropolis opens its 2015-16 season at Chamber Music Northwest, premiering the first work for reed quintet and string quartet by David Schiff with the eminent Dover Quartet, and collaborating with the BodyVox Dance Company to perform selections with choreography. Akropolis has also appeared at numerous colleges and universities to perform and conduct master classes on commission collaboration, the business of chamber music, and chamber music performance.

Akropolis has commissioned more than 25 adventurous new works from composers around the world, including the United States, Canada, France, the Netherlands, Turkey, Israel, Argentina, and Serbia. Each collaboration involves a unique commissioning project, including High Speed Reed and Unraveled, which comprise Akropolis' first two full-length albums. Their newest project, The Space Between Us, commissioned four American composers to create works describing the space within music’s aesthetic and social constructs. As part of the project, John Steinmetz created “Sorrow and Celebration”, the first work for reed quintet and audience participation.




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